cropped-img015.png
Den Kosmiska Havsträdgårdspassagen
PETER, undead Living Documents
PETER, DANCE DANCE HISTORY
PETER, the plague
PETER, raum
PETER, 1987-2017
PETER, in labour for consideration
PETER, (6mins)
PETER, Fuck you!
PETER,(20mins) 
LYN, A performance for the dead of night
RACHEL, A performance for the dead of night
GABRIELLA, A performance for the dead of night
The great beyond project,
PETER,(Bearly there)
PETER, (Reflective Nebular) 
PETER, (48 hours)
CV

PETER, the plague


PETER, (the plague), norbergfestival (SE) July 2018

PETER, (the plague) is a dance, an anarchy, a bodies, a work, a person, a brand, a match, a fiend, a friend, a performance, an art, a ist, a complex arrangement of movements, a choreography, a choreographer, a biography, a list, a history, a contagion, a memory, a thought, a lifestyle, a choice, a miracle, a child, a verse, a sickness, an announcement, an archive, a protest, alive, another, a promise, practice, problem, performance, place, position, parameter, prediction, pest, pretense, plan, pipe, pop, pfff…

PETER, the plague, attends to your attention, as forced contagions, an artistic material besieges your minds self processing construction of you. Form shifts in a relentlessly expansive bewildering stream of consciousness. As the dancing body attempts to exist in its unbelievable complexifying rhizome, for a infinitely demanding ethics of the intersubjective self.

Choreography and Performance: Peter Mills
Supported by Kulturrådet and koreografiska konstitutet